LOS ANGELES, July 14 — Given that the rock legend Bob Seger first bemoaned the eclipse of “old time rock ’n’ roll” in 1978, one can only imagine how he feels now. Rock music remains a popular radio genre, but part of its audience has been drifting away. So where is a resurgent rock star, known for hits like “Hollywood Nights” and “Night Moves,” to turn? To country music fans.
As part of the promotion for “Face the Promise,” Mr. Seger’s first album of new material in 11 years, his longtime label, Capitol Records, is shipping his first new single, “Wait for Me,” to country radio, in addition to stations that play classic rock and adult-contemporary formats. There are also plans to pair Mr. Seger with an established country artist on “Crossroads,” the odd-couple performance series on Country Music Television, and in other nationally televised performances. And an album of Seger covers performed by country artists may be in the offing, too.
Mr. Seger’s return comes as a new crop of artists better known for their rock or pop hits are crossing into country territory. Earlier this year, Bon Jovi scored a No. 1 hit on the country chart with “Who Says You Can’t Go Home,” a song performed with Jennifer Nettles of the hot country act Sugarland. Michelle Branch, who broke onto the pop charts as a teenage singer-songwriter, showed up on country radio with the debut of the Wreckers, the rootsy duo she formed with a friend.
Steven Tyler, the lead singer of Aerosmith, lent his trademark wail to a new single by the country singer Keith Anderson, aptly titled “Three Chord Country and American Rock ’n’ Roll.” And Mark Knopfler of Dire Straits, who had recorded albums with Chet Atkins, is back on the country charts thanks to a collaboration with Emmylou Harris.
Many trace the most recent crossover fervor to the unexpected success of “Picture,” a song performed by Kid Rock with Sheryl Crow, on country stations four years ago.
Those efforts represent only the latest moves to blur the lines between pop, rock and country: 40 years ago, Ray Charles reimagined Hank Williams and Eddy Arnold in recording his trailblazing album “Modern Sounds in Country and Western Music.”
But the transformation of the radio landscape in recent years seems to encourage crossovers once more. In particular, the country format has displayed relative resilience as other formats that once provided a natural home for these artists now appear unreliable, if not outright unwelcoming.
Slipping between musical genres in the compartmentalized world of record labels and radio formats is not taken lightly. Many country programmers are leery of providing exposure to acts donning country-music trappings as a last resort after failing to maintain popularity with pop or rock fans. (That perception cut short the prospects for “All I Ever Needed,” a country single released in 2004 by Bret Michaels, better known as the lead singer of the hair-metal band Poison. He has continued his makeover, though, by appearing as a judge on the USA Networks contest series “Nashville Star.”)
“I think the consensus is that just because you have an established brand from another genre you don’t get a hall pass to come to country and immediately get airplay,” said Eric Logan, executive vice president for programming at XM Satellite Radio and a former country radio programmer.
But as it happens, prospects for artists who try shifting genres (or at least radio formats) appear to be growing stronger. As listeners change the way they listen to music and discover new releases — twiddling with iPods or Internet stations, for example — programmers say they are being forced to consider more experimentation with their playlists to keep fans engaged. Some predict this will mean regular appearances by outsiders between radio mainstays like Kenny Chesney and Toby Keith.
“There used to be a huge group of people that were considered exclusively country music listeners; they grew up in a house where only country music was played,” said Brian Philips, CMT’s general manager. “Now, how would it be possible to grow up in a house where only one type of music was accessible, given 300 channels of television and infinite possibilities on the Internet? The hybrids and the fashion make all the sense in the world to people who are out there just looking for new sounds.”
That helps explain why Mr. Philips’s network has welcomed the singer Jewel, known for breathy folk-pop hits like “Who Will Save Your Soul?,” on several programs as she promotes her new album.
